hitomakumi-seki / makumi

一幕見席

ひとまくみせき(まくみ)single-act seats at the Kabukiza

INSTANT ANSWER

The single-act gallery on the fourth floor of the Kabukiza lets you watch just one act at a modest price—kabuki's most casual point of entry.

The single-act seats (makumi) occupy the fourth floor of the Kabukiza in Tokyo. Rather than committing to a full program, you choose a single act to watch, entering through a dedicated entrance at a modest price—"just one act to start" made easy.

This freedom to drop in on a favourite scene is often described as a living trace of the casual playgoing of the Edo period. The gallery reopened after a recent renewal, with tickets offered through a mix of advance and same-day sales—check the Kabukiza's official guide for current details.

The gallery is deeply tied to the culture of the shouted calls. The ōmukō devotees who cry out house names like 'Naritaya!' traditionally do so from around the third floor and the single-act gallery, and members of recognized calling societies are said to have been granted free admission, known as kido gomen. The seats farthest from the stage have also been where the theatre's best-trained ears gather.

The term belongs to kabuki theatre-going as a whole. It is also where a first-time visitor might happen upon a single act of Danjūrō's stage—and this platform recommends it as a first step into the theatre.

The month

openingsenshūraku

Roughly a month of the same bill, most days — with dark days in between.

Your day

a playinterval

Plays of thirty to ninety minutes, separated by intervals long enough to eat. Three to four hours in all.

The reputation for length misleads: short pieces arranged with intervals, closer to walking an exhibition. And you can watch just one act.
SOURCES

Sources & Supervision

Author
KABUKI Universe Editorial Team
Supervision
Ichikawa Danjūrō
Published
Aug 15, 2026
Updated
Sep 9, 2026
Reviewed by the supervisor

Supervision means Ichikawa Danjūrō has reviewed this page's intent and key points. The text is the editorial team's writing, not Ichikawa Danjūrō's own statements. Editorial responsibility rests with the team, which corrects any error. Read the editorial policy