ART / EXHIBITIONS
Records of the body, beyond the stage.
Theatre photographs, oshiguma face-prints, paintings — expressions that remain after the curtain falls. The notes below are by the KABUKI Universe editorial team; words from Danjūrō himself will be added as they are recorded.
Photographing the empty theatre
A theatre just after the audience has gone, moments before the lights go down: the air of a performance just ended, and four hundred years of time in one room. Why photograph the empty theatre? His own answer will appear here.





Oshiguma — the body's memory of one night
An oshiguma is made when an actor presses the painted kumadori make-up from his face onto cloth or paper after a performance. Even for the same role, no two are alike — each carries that night's sweat and force. It is at once a record of a performance and a singular work of art.

A wall of empty seats
At the exhibition these auditorium works ran the length of the wall. Each is a quiet photograph; seen in sequence, the colour and rhythm of each theatre's seating begins to separate. Below, works from the room.









Where their faces would be, an auditorium.
The suspended work hangs at exactly the height of their faces. Everyone in the room can see it, and they stand there anyway. Of all the pictures from the exhibition, this one belongs with the works rather than the documentation.
Exhibitions
NEXT EXHIBITION
The next exhibition is in preparation — details will follow with the official announcement.
From the works






FROM THE OFFICIAL CHANNEL
KABUKU. / Ichikawa Danjūrō.Exhibitions and making, on film
市川團十郎、初の個展に密着|写真にかける想いとは
Apr 23, 2026
Following him to his first solo exhibition, with his own account of why a man of the stage takes photographs.
VOICE FROM D-13
Why photograph? Why keep these records? Danjūrō's own words will be published here once recorded and reviewed (in preparation).
Photos and footage will be added as rights are cleared.