ART / EXHIBITIONS

Records of the body, beyond the stage.

Theatre photographs, oshiguma face-prints, paintings — expressions that remain after the curtain falls. The notes below are by the KABUKI Universe editorial team; words from Danjūrō himself will be added as they are recorded.

01THEATRE PHOTOGRAPHS

Photographing the empty theatre

A theatre just after the audience has gone, moments before the lights go down: the air of a performance just ended, and four hundred years of time in one room. Why photograph the empty theatre? His own answer will appear here.

The whole auditorium seen from the back, seats running to the far wall; signed 'D-13' at lower right
Empty, all the way back
Rows of seats receding into the dark, signed 'D-13' at lower right
Receding rows — signed 'D-13' at lower right
A photograph of an empty auditorium, as exhibited
Hung on the stone wall
A photograph of vermilion seats, hung on wires against a white wall
Hung, seen head-on
A row of auditorium photographs lit along a dark gallery wall, one visitor silhouetted in the foreground
A wall of empty auditoriums, and one person looking
02OSHIGUMA

Oshiguma — the body's memory of one night

An oshiguma is made when an actor presses the painted kumadori make-up from his face onto cloth or paper after a performance. Even for the same role, no two are alike — each carries that night's sweat and force. It is at once a record of a performance and a singular work of art.

A wall of oshiguma: kumadori pressed onto vermilion paper, with one framed work and small photographs set around them
No two alike — a wall of oshiguma
03THE EXHIBITION

A wall of empty seats

At the exhibition these auditorium works ran the length of the wall. Each is a quiet photograph; seen in sequence, the colour and rhythm of each theatre's seating begins to separate. Below, works from the room.

The whole auditorium from the back, seats running to the far wall
Empty, all the way back
Rows receding into the dark, signed 'D-13'
Receding
Vermilion seats seen head-on
Head-on
A pale cityscape through a gap in the curtains
The city, outside
An empty auditorium, hung on a stone wall
On stone
The exhibition room: the auditorium series along the wall, framed works below
The room
Walking the length of the series
End to end
A corner of the room, the works at shoulder height
At shoulder height
A work suspended on wires falls exactly where the faces of the two people standing behind it would be

Where their faces would be, an auditorium.

The suspended work hangs at exactly the height of their faces. Everyone in the room can see it, and they stand there anyway. Of all the pictures from the exhibition, this one belongs with the works rather than the documentation.

04EXHIBITIONS

Exhibitions

NEXT EXHIBITION

The next exhibition is in preparation — details will follow with the official announcement.

05WORKS

From the works

A framed work: vermilion, indigo and rose over a gold ground, crossed by black brushstrokes
One work, as hung
A painting of a flute player under the moon, at the exhibition
From the exhibition
Viewing a turquoise kumadori work at the exhibition
At the exhibition
A hanging scroll in a tokonoma alcove, kumadori brows and eyes running down it; pale pink flowers in a stone vessel below
Hung in the tokonoma
A framed photograph: a pale cityscape seen through a gap in the curtains of a dark room
The city, outside the window
The same work in its room, a single downlight falling on it
The same work, in its room

FROM THE OFFICIAL CHANNEL

KABUKU. / Ichikawa Danjūrō.

Exhibitions and making, on film

市川團十郎、初の個展に密着|写真にかける想いとは

Apr 23, 2026

Following him to his first solo exhibition, with his own account of why a man of the stage takes photographs.

VOICE FROM D-13

Why photograph? Why keep these records? Danjūrō's own words will be published here once recorded and reviewed (in preparation).

Photos and footage will be added as rights are cleared.