tonbo
トンボ
とんぼalso written 筋斗the somersaults of kabuki fight scenes
INSTANT ANSWER
Tonbo is the somersault turned by a fighter who is "cut down" or thrown in a kabuki fight scene—a fundamental acrobatic skill of the actor's craft.
Tonbo is the somersault turned by the karami—the attackers—to show they have been cut down or thrown by the hero in a fight scene. "Turning a tonbo" is done with the body alone, no apparatus, and it is counted among the fundamental physical skills a kabuki actor must master.
Somersaults appear in nearly every fight scene, including spectacular falls turned from rooftops or embankments. The more beautifully the defeated move, the stronger the hero appears and the finer the stage picture—tonbo is kabuki's characteristic art of losing with consummate skill.
The name tonbo is said to come from the dragonfly, that master of flight which flips its body in an instant, and the word is also written with characters meaning "somersault." The phrase "to cut a tonbo" has traveled beyond the theatre and survives in everyday Japanese for any somersault—a technique drilled into the body in the rehearsal hall that leapt, as a word, into daily life.
Tonbo belongs to no single acting house; it is a bodily language underpinning all of kabuki. Even the boldest aragoto fight scenes of the Ichikawa Sōke resolve into a finished picture only through the superb somersaults of unnamed actors.
Read this next
These words meet on the same stage. Knowing one makes the next easier to see.
- 立廻りtachimawariTachimawari are kabuki's stylized fight scenes—group combat choreographed like dance to offstage music, punctuated by mie poses.Read
- 花四天hanayotenHanayoten are the flower-costumed constables and soldiers who swarm the hero in kabuki's most decorative fight scenes, bearing blossoming branches or flowered spears.Read
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Sources & Supervision
- Author
- KABUKI Universe Editorial Team
- Supervision
- Ichikawa Danjūrō
- Published
- Aug 16, 2026
- Updated
- Sep 9, 2026
Supervision means Ichikawa Danjūrō has reviewed this page's intent and key points. The text is the editorial team's writing, not Ichikawa Danjūrō's own statements. Editorial responsibility rests with the team, which corrects any error. Read the editorial policy