歌舞伎D-13
12

From Shōwa to Heisei

The Twelfth

Ichikawa Danjūrō XII

Polishing the family art, and carrying the theatre overseas

Life
1946-08-06–2013-02-03
Bore the name Danjūrō
1985-04–2013-02-03
Age at succession
38
Earlier and literary names
Horikoshi Natsuo (his real name) · Ichikawa Natsuo (his name at his stage debut) · Ichikawa Shinnosuke VI (taken in 1958) · Ichikawa Ebizō X (taken in 1969) · Hakuen (haimyō, his poetry name) · Mimasuya Hakuji (his pen name as a playwright)

This generation in thirty seconds

Eldest son of the eleventh. Losing his father's support at nineteen, he worked steadily on, becoming Ichikawa Ebizō X in 1969 and then Danjūrō XII across three months at the Kabukiza from April to June 1985. He polished the Kabuki Jūhachiban as the art of his house and took kabuki abroad again and again, to the Paris Opéra among other stages. He died on 3 February 2013.

What he inherited

  • Eldest son of the eleventh

    The Naritaya official site records that he was born in August 1946, eldest son of Ichikawa Ebizō IX — later Danjūrō XI. The Kabuki Actor Directory gives the date as 6 August. In October 1953 he made his debut at the Kabukiza as the child Sanbōshi in Daitokuji, under the name Ichikawa Natsuo.

  • Losing his support at nineteen

    The Kabuki Actor Directory records that at the time of his father's succession in 1962 all was set fair for the Naritaya house — and that when he died only three years later, the nineteen-year-old Shinnosuke was left alone to weather the hard currents of the kabuki world.

  • The Jūhachiban as the art of the house

    The Kabuki Actor Directory records his own words: that in the Kabuki Jūhachiban, the art of his house, he wished to yield to no one, and would study with all his strength to that end.

  • As head of the Ichikawa house

    The Naritaya Danjūrō Encyclopaedia records that the Ichikawa school of dance, which counts the seventh as its effective founder, was set on its footing by the ninth, passed to his eldest daughter Suisen II, and later came under his own headship.

What he created, changed or revived

  • A succession run of three months

    The Naritaya official site records that he took the name Danjūrō XII across a three-month succession run at the Kabukiza from April to June 1985. The Kabuki Actor Directory gives the plays as Benkei in Kanjinchō and the title role in Sukeroku, among others.

  • Taking kabuki abroad

    The Naritaya official site lists tours to the United States in 1982 and 1985, Australia in 1988, Europe in 1989, Paris in 2004, the Paris Opéra in 2007 and Monaco in 2009, among others. In 2007 he was made a Commandeur of the Ordre des Arts et des Lettres.

  • New work on neglected plays

    The Cultural Digital Library records that the Jūhachiban play Uirōuri was revived as an independent piece in 1922, and revived again by Danjūrō XII in 1980. The Kabuki Actor Directory notes that at the National Theatre he brought fresh invention to Zōhiki.

  • Kurodani, written between absences

    The Kabuki Actor Directory records that he collapsed with leukaemia during his son's succession run as Ebizō XI in May 2004; that while under treatment he wrote Kurodani, imagining what became of Kumagai after he takes holy orders at the close of Kumagai Jinya; and that he staged it as a dance-drama after leaving hospital, under the pen name Mimasuya Hakuji. He also published an account of his illness under his own name.

Signature roles and plays

  • Kanjinchō — Musashibō Benkei

    A role the Naritaya official site places among the first of his principal works. The Kabuki Actor Directory calls his Benkei the finest, dignity and strength and gentleness at once, with a quiet warmth inside the fierce beauty of its wide-eyed glare.

  • Sukeroku Yukari no Edo Zakura — Sukeroku

    In November 1969 he played this role, with Togashi in Kanjinchō, at the Kabukiza, taking the name Ichikawa Ebizō X. It was chosen again for his succession as the twelfth in 1985.

  • Yoshitsune Senbon Zakura — Tadanobu, Tomomori and Gonta

    The Naritaya official site lists the three roles of Tadanobu, Tomomori and Gonta in Yoshitsune Senbon Zakura among his principal works.

  • Shibaraku, Narukami and Kenuki

    The Kabuki Actor Directory records that these Jūhachiban plays too carried the unforced charm his own nature brought to them.

  • Work beyond kabuki

    The Naritaya official site names Hanaoka Seishū in Hanaoka Seishū no Tsuma and the Moon King in Nemuri-ō, among others. On television he played Ashikaga Yoshimasa in the NHK serial Hana no Ran.

Kabuki in his age

These were years in which the transmission of the classical arts was newly emphasised even as fresh ventures followed one after another. The Japan Arts Council records collaborations with contemporary playwrights and directors, new works adapted from manga and anime, and performances outside kabuki's own theatres, noting that kabuki now reaches a wider public than before. Kabuki was proclaimed a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2005 and inscribed on the Representative List in 2008. The period when overseas tours became regular coincides with the years he bore the name.

Meanwhile, in the world

  • 2005–2008World

    Kabuki enters UNESCO's intangible heritage

    The Japan Arts Council records that in 2005 kabuki was proclaimed by UNESCO a Masterpiece of the Oral and Intangible Heritage of Humanity, and in 2008 was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity.

  • 2010-04–2013-04Society

    The Kabukiza rebuilt again

    Shochiku's history of the Kabukiza records that the fourth Kabukiza, reopened in 1951, closed for rebuilding after the April 2010 programme; the fifth was completed in February 2013, its opening ceremony held in March and the theatre reopened in April. He died in the same month the new building was completed.

  • 1985–2013Art & plays

    Kabuki beyond its own theatres

    The Japan Arts Council records that collaborations with contemporary playwrights and directors, new works based on manga and anime, and performances outside kabuki's dedicated theatres have all become active.

Where the age and the actor meet

  • 1989-09World

    The European tour of autumn 1989

    The Naritaya official site records a European tour in September 1989 taking in Brussels, East Berlin, Dresden and Vienna. No source has been found linking the itinerary to what followed in Europe from November of that year, so the fact is recorded without further comment.

  • 2007-03World

    Kanjinchō at the Paris Opéra

    The Naritaya official site records the Shochiku Grand Kabuki at the Paris Opéra, Palais Garnier, in March 2007. The Kabuki Actor Directory relates that the Kanjinchō there fulfilled his wish to play Benkei and Togashi opposite his son Ebizō. That year he was made a Commandeur of the Ordre des Arts et des Lettres.

  • 2012Society

    Elected to the Japan Art Academy

    The Naritaya official site records that he was elected to the Japan Art Academy in 2012. He had earlier become a director of the Traditional Kabuki Preservation Society in 1999 and a member of the Council for Cultural Affairs in 2001, taking on the institutional side of transmitting the classics as well.

  • 2012-12-17Art & plays

    His last performance

    Shochiku's Kabuki Bito records that his last performance was on 17 December 2012 at the Minamiza in Kyoto, in the annual kaomise run — Kajiwara Heizō in Kajiwara Heizō Homare no Ishikiri and Musashibō Benkei in Funa Benkei. The same announcement states that he died at 9.59 pm on 3 February 2013 at a hospital in Tokyo, aged sixty-six.

From this generation to the next

The Kabuki Actor Directory records him saying that in the Kabuki Jūhachiban, the art of his house, he would yield to no one. A name that had returned after long absence he made secure through both classical discipline and touring abroad, and handed on to his eldest son, the thirteenth.

Where the sources differ

On the following points the sources we consulted disagree. Rather than declare one correct, we set them side by side and state how we have handled each.

Which roles he took in Kanjinchō at the Paris Opera in 2007

  1. He played both Benkei and Togashi.

    Source: 公益社団法人日本俳優協会「歌舞伎俳優名鑑 想い出の名優篇 市川團十郎(12代目)」

  2. He shared the role of Benkei in a double cast.

    Source: 公益社団法人日本俳優協会「歌舞伎俳優名鑑 現在の俳優篇 市川團十郎白猿(13代目)」

How we handle it

The same Kabuki Actor Directory describes the casting one way under the twelfth generation and another under the thirteenth. Our text follows the entry for the twelfth; what the casting actually was we have not been able to confirm.

The name he bore in 1980, when Uirō-uri was revived

  1. In 1980 Danjūrō XII revived Uirō-uri.

    Source: 独立行政法人日本芸術文化振興会 文化デジタルライブラリー「歌舞伎事典 外郎売」

  2. He took the name Danjūrō in April 1985; in 1980 he was still Ichikawa Ebizō X.

    Source: 成田屋(市川團十郎家)公式サイト「家系図 十二代 市川團十郎」

How we handle it

The two accounts do not disagree about the year of the revival. The Cultural Digital Library refers to him by the name he took later, and our text keeps that wording; we note here that in 1980 he had not yet become Danjūrō.

What remains today