Kagekiyo
Kagekiyo — Breaking the Prison
Japanese title: 景清(かげきよ)
Also written as: 景清 / Kagekiyo / 牢破り
The Story in Three Lines
Kabuki loses nothing when you know the story in advance. Start with just three lines.
- 01
After the fall of the Heike, the fearsome warrior Akushichibyōe Kagekiyo lies captive in a prison of the victorious Genji.
- 02
He refuses food from his enemies and will not reveal where the Heike treasures lie; his captors drag his wife and daughter before the cell to break him.
- 03
At last his long-banked fury erupts: Kagekiyo shatters the prison and rages free—the celebrated "prison-breaking" scene.
Three Things to Watch For
These three points are all the preparation you need. On the day, simply give yourself to the stage.
Breaking the prison
All the stored anger releases at once as he tears the prison apart with his bare hands—aragoto's explosive power at its most direct.
The strength of silence
Until that moment Kagekiyo neither moves, nor eats, nor yields. The longer the stillness, the greater the explosion.
A hero of many arts
A figure from The Tale of the Heike, Kagekiyo appears in noh and jōruri as well—and in several plays among the eighteen.
Characters
- Akushichibyōe Kagekiyo
- The Heike's fiercest warrior, unbowed even in captivity—a soul that will not break.
- Akoya
- Kagekiyo's wife, dragged with their daughter Hitomaru before the prison.
- Chichibu Shigetada
- The Genji commander who visits the prison, hoping to win Kagekiyo over.
Stagecraft and Highlights
Danjūrō II is said to have first performed the piece in 1732. Kagekiyo, the man who never yielded to the Genji, was as familiar a hero to Edo commoners as the Soga brothers.
Everything builds to the prison-breaking finale: the actor's stillness flips into full aragoto fury, kumadori and grand combat included. The gulf between stillness and motion is the play's very architecture.
The Ichikawa Connection
One of the Kabuki Jūhachiban, associated with Danjūrō II. The indomitable Kagekiyo also appears in other plays of the eighteen, such as Gedatsu and Kamahige—a figure deeply woven into the Ichikawa repertory.
In Danjūrō's Words
Danjūrō's own words on this play will appear here once they have been recorded and verified with him. We never invent or paraphrase his remarks.
Related terms
Sources
- Author
- D-13 Editorial
- Published
- Aug 15, 2026
- Updated
- Aug 15, 2026