歌舞伎D-13

Nanatsumen

Nanatsumen — The Seven Masks

Japanese title: 七つ面(ななつめん)

Also written as: 七つ面 / Nanatsumen / The Seven Masks

Kabuki Jūhachiban
01SYNOPSIS

The Story in Three Lines

Kabuki loses nothing when you know the story in advance. Start with just three lines.

  1. 01

    An actor draws mask after mask from a box, transforming his performance with each one—a play built on the delight of metamorphosis.

  2. 02

    Danjūrō II is said to have premiered it in 1740, but no script survives.

  3. 03

    Danjūrō IX revived it in the Meiji era as the dance piece Shin Nanatsumen, and the National Theatre staged a new revival in 1977.

02WHAT TO WATCH

Three Things to Watch For

These three points are all the preparation you need. On the day, simply give yourself to the stage.

01

Masks in quick succession

With each new mask the figure and its movement transform entirely—a showcase of one actor's range across seven faces.

02

A rarity in kabuki

Masked performance is a rarity in kabuki, which developed painted faces instead—the piece gestures back to older layers of Japanese theatre.

03

A lineage of revivals

With the text lost, every revival since Danjūrō IX's Shin Nanatsumen has had to reinvent the piece anew.

03CHARACTERS

Characters

The mask-carver (settings vary by revival)
The protagonist who transforms from mask to mask; in revivals he has been portrayed as a carver of masks.
04STAGECRAFT

Stagecraft and Highlights

Said to have premiered in 1740 with Danjūrō II, the piece lost its script and went long unperformed; Danjūrō VII likely included it among the eighteen as a speciality of his great predecessor.

Danjūrō IX brought it back as the dance Shin Nanatsumen, and the National Theatre mounted a fresh revival in 1977. The pleasure of movement changing with each mask keeps inviting new invention.

05NARITAYA

The Ichikawa Connection

Kabuki Jūhachiban

One of the Kabuki Jūhachiban, linked to Danjūrō II's specialties and revived by Danjūrō IX—the family's art of transformation, carried into the present.

06IN HIS WORDS

In Danjūrō's Words

In preparation

Danjūrō's own words on this play will appear here once they have been recorded and verified with him. We never invent or paraphrase his remarks.

Related terms

Sources

Author
D-13 Editorial
Published
Aug 15, 2026
Updated
Aug 15, 2026