歌舞伎D-13

Ya no Ne

Ya no Ne — The Arrowhead

Japanese title: 矢の根(やのね)

Also written as: 矢の根 / Ya no Ne / Yanone

Kabuki Jūhachiban
01SYNOPSIS

The Story in Three Lines

Kabuki loses nothing when you know the story in advance. Start with just three lines.

  1. 01

    At New Year's, Soga Gorō sits whetting a giant arrowhead, readying himself for the day he will strike down Kudō Suketsune, his father's enemy.

  2. 02

    Dozing off, Gorō dreams of his brother Jūrō, who appears to tell him he is held captive at Kudō's mansion and begs for rescue.

  3. 03

    Gorō springs up, seizes a horse from a passing groom, and gallops off to the rescue—whipping the horse on with a giant radish.

02WHAT TO WATCH

Three Things to Watch For

These three points are all the preparation you need. On the day, simply give yourself to the stage.

01

A New Year's celebration

Soga plays were a New Year's fixture in Edo; this is a bright, auspicious act brimming with a young warrior's strength.

02

The giant arrowhead

The wonderfully oversized arrowhead and whetstone tell you at a glance, in true aragoto fashion, that this hero is more than human.

03

The radish whip

In the finale Gorō spurs his commandeered horse with a radish from the groom's load—a vendetta story wrapped in open-hearted humor.

03CHARACTERS

Characters

Soga Gorō Tokimune
The younger Soga brother, a young warrior in bold sujiguma makeup—an archetypal aragoto role alongside the hero of Shibaraku.
Soga Jūrō Sukenari
The elder brother, who appears in Gorō's dream to warn of his peril.
04STAGECRAFT

Stagecraft and Highlights

Danjūrō II premiered the piece in 1729 and is said to have performed it four times in his life. New Year's touches abound, including a visit from an Ōzatsuma musician come to pay seasonal respects.

Gorō's poses in sujiguma makeup have been likened to paintings in motion. From the whetting of the arrowhead to the dream and the mounted finale, the play packs the pleasures of aragoto form into a single short act.

05NARITAYA

The Ichikawa Connection

Kabuki Jūhachiban

One of the Kabuki Jūhachiban, a signature role since Danjūrō II, handed down as the family's great New Year's aragoto piece.

06IN HIS WORDS

In Danjūrō's Words

In preparation

Danjūrō's own words on this play will appear here once they have been recorded and verified with him. We never invent or paraphrase his remarks.

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